From there, you emerge into the room with the dragon and onward into a series of neo-diptychs, each with a text explanation of the pairing. For example, "There is a dialogue around the visibility and invisibility of the body emanating from Zanele Muholi's ongoing project Faces and Phases [pictured here] and Mouna Karray's Noir series. They both consider the perception and the gaze of the viewer upon marginalized communities, such as queer people and the displaced, through the exploration of studio photography."